{"id":17760,"date":"2021-07-21T17:19:25","date_gmt":"2021-07-21T17:19:25","guid":{"rendered":"https:\/\/skol.ca\/uncategorized\/retour-sur-terre\/"},"modified":"2024-04-03T19:00:37","modified_gmt":"2024-04-03T19:00:37","slug":"retour-sur-terre","status":"publish","type":"post","link":"https:\/\/skol.ca\/en\/programming\/retour-sur-terre\/","title":{"rendered":"COMING BACK DOWN TO EARTH"},"content":{"rendered":"<p><a href=\"https:\/\/skol.ca\/wp-content\/uploads\/2021\/07\/charlotteghomeshi_renaud2petite-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-17751\" src=\"https:\/\/skol.ca\/wp-content\/uploads\/2021\/07\/charlotteghomeshi_renaud2petite-540x437.jpg\" alt=\"\" width=\"540\" height=\"437\" srcset=\"https:\/\/skol.ca\/wp-content\/uploads\/2021\/07\/charlotteghomeshi_renaud2petite-540x437.jpg 540w, https:\/\/skol.ca\/wp-content\/uploads\/2021\/07\/charlotteghomeshi_renaud2petite-400x323.jpg 400w, https:\/\/skol.ca\/wp-content\/uploads\/2021\/07\/charlotteghomeshi_renaud2petite-240x194.jpg 240w, https:\/\/skol.ca\/wp-content\/uploads\/2021\/07\/charlotteghomeshi_renaud2petite-768x621.jpg 768w, https:\/\/skol.ca\/wp-content\/uploads\/2021\/07\/charlotteghomeshi_renaud2petite-1536x1242.jpg 1536w, https:\/\/skol.ca\/wp-content\/uploads\/2021\/07\/charlotteghomeshi_renaud2petite-2048x1656.jpg 2048w\" sizes=\"auto, (max-width: 540px) 100vw, 540px\" \/><\/a>&nbsp;<\/p>\n<p><strong>2021-2022 Program<\/strong><\/p>\n<p>During a pandemic, this \u2018coming back down\u2019 might call to mind the \u2018back to normality\u2019 that we often hear said in the hope of returning to our old routines. These words, which are supposed to offer comfort, elicit a very different feeling among those who find it absurd to celebrate the end of a crisis by returning to the mechanisms that caused it in the first place.<\/p>\n<div>Though it may sound like \u2018getting back to the land\u2019, \u2018coming back down to Earth\u2019 resonates in a different \u2013 perhaps opposing \u2013 way,&nbsp;suggesting a firm grounding in reality and in the urgency to address the current situation, as opposed to looking to an idealized future. It is not about returning to Earth as we envisage or consume it, but returning to our dedicated habitat, its tangible surface full of resources and beauty, as well as all of our unlikely interactions.<\/div>\n<p><em>Coming back down to Earth<\/em> is therefore a return to the reality through which we could succeed in abandoning our usual ways of inhabiting and seeing the world. Because this relationship to the world, \u2018this outside perspective, which scientific fiction has constructed along with the invention of modern science, appears to be one of the strangest things that we have invented, while leaving us completely helpless in the face of its demise. The fragile and intellectual experience that we are trying to grasp hold of through this other image of a \u2018coming back down to Earth\u2019 therefore remains to be entirely constructed: what does it mean to think\/act\/know\/imagine or live <em>on<\/em> Earth?\u2019<\/p>\n<p>This theme will be addressed across Skol\u2019s 2021-22 programme, which is characterized by a range of representations of a Nature inhabited by the political, in which we perceive, in a subtle or assertive way, the artist\u2019s desire to shift their position, renew their ways of seeing and change their outlook so that they comprehend this Earth that, undermined by our interactions, is also changing, and quickly.<\/p>\n<p><strong>Artists<br \/>\n<\/strong><\/p>\n<p><span class=\"st\">\u2014 Clara Lacasse<\/span><\/p>\n<p><span class=\"st\">\u2014 Primordial Dismemberment (d\u00e9membrement primordial)&nbsp;<\/span><\/p>\n<p><span class=\"st\">\u2014 Chris Boyne<\/span><\/p>\n<p><span class=\"st\">\u2014 <\/span>Pamela Breda<\/p>\n<p><span class=\"st\">\u2014 <\/span>Francys Chenier<\/p>\n<p class=\"p2\"><span class=\"st\">\u2014 <\/span>Charlotte Guirestante Ghomeshi<\/p>\n<p class=\"p3\"><span class=\"st\">\u2014 <\/span>Karine Locatelli<\/p>\n<p class=\"p3\"><span class=\"st\">\u2014 <\/span>Julie Roch-Cuerrier<\/p>\n<p><span class=\"st\">\u2014 Marie-France Bri\u00e8re<\/span><\/p>\n<p><span class=\"st\">\u2014 Romain Gandolphe<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&#8211; Citation by \u00c9milie Hache, introduction to <em>De l\u2019univers clos au monde infini<\/em>, \u00c9ditions Dehors, 2014.<\/p>\n<p>Image : <em>Renaud<\/em> by Charlotte Guirestante Ghomeshi, photography.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>2021-2022 Program <\/p>\n","protected":false},"author":1,"featured_media":23327,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"footnotes":""},"categories":[51,18],"tags":[],"class_list":["post-17760","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-past","category-programming"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.4 - 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