{"id":2365,"date":"2012-09-28T20:54:53","date_gmt":"2012-09-28T20:54:53","guid":{"rendered":"http:\/\/skol.ca\/?p=2365"},"modified":"2014-08-08T15:28:53","modified_gmt":"2014-08-08T15:28:53","slug":"philippe-hamelin-routine-422","status":"publish","type":"post","link":"https:\/\/skol.ca\/en\/programming\/philippe-hamelin-routine-422\/","title":{"rendered":"Philippe Hamelin: Routine 422"},"content":{"rendered":"<p><a href=\"http:\/\/skol.ca\/programming\/philippe-hamelin\/attachment\/749\/\" rel=\"attachment wp-att-2366\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-2366\" title=\"749\" src=\"http:\/\/skol.ca\/wp-content\/uploads\/2012\/09\/749-540x357.jpg\" alt=\"\" width=\"540\" height=\"357\" srcset=\"https:\/\/skol.ca\/wp-content\/uploads\/2012\/09\/749-540x357.jpg 540w, https:\/\/skol.ca\/wp-content\/uploads\/2012\/09\/749-240x158.jpg 240w, https:\/\/skol.ca\/wp-content\/uploads\/2012\/09\/749-400x264.jpg 400w, https:\/\/skol.ca\/wp-content\/uploads\/2012\/09\/749.jpg 635w\" sizes=\"auto, (max-width: 540px) 100vw, 540px\" \/><\/a><\/p>\n<h4>Exhibition<\/h4>\n<p>August 21 \u2013 September 27, 2003<\/p>\n<h4>Project Description<\/h4>\n<p>Everyday life often asks us to make little or big leaps into the unknown. Whether\u00a0it be a new project, a new romantic relationship or a new job, many situations destabilize us and we turn somersaults without even knowing what will happen. In the video that he is presenting in Skol\u2019s small gallery, Philippe Hamelin deals with this theme through a gymnast\u2019s routine. The gymnast is hesitant and reluctant at first, but nonetheless willing to take the risk of letting herself fall. From this point on, the video\u2019s specificities dictate the moves of this woman who becomes a prisoner of the television screen and of the fast and dizzying editing.<\/p>\n<p>One cannot ignore the references to Formalism and Conceptual Art in this emerging artist\u2019s work. He is interested in the representation of the human body, where the energy of the figure is combined with the video\u2019s formal properties. In this merging of the body and the limits of its representation, we see not only a formal construction, but also the theatre of our relationship to the world around us and how sometimes it restrains us.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>August 21 &#8211; September 27, 2003<br \/>\nExhibition<\/p>\n","protected":false},"author":4,"featured_media":2366,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"footnotes":""},"categories":[51,18],"tags":[],"class_list":["post-2365","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-past","category-programming","nom-philippe-hamelin"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Philippe Hamelin: Routine 422 - Centre des arts actuels SKOL<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/skol.ca\/en\/programming\/philippe-hamelin-routine-422\/\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Philippe Hamelin: Routine 422 - 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