{"id":7219,"date":"2013-08-29T16:51:34","date_gmt":"2013-08-29T16:51:34","guid":{"rendered":"http:\/\/skol.ca\/?p=7219"},"modified":"2013-10-09T21:10:40","modified_gmt":"2013-10-09T21:10:40","slug":"publication-mpm-2013","status":"publish","type":"post","link":"https:\/\/skol.ca\/en\/programming\/publication-mpm-2013\/","title":{"rendered":"Publication of the 13th edition of Le Mois de la Photo \u00e0 Montr\u00e9al"},"content":{"rendered":"<p style=\"text-align: center;\"><a href=\"http:\/\/skol.ca\/wp-content\/uploads\/2013\/08\/couv_publication_ang.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-7278\" alt=\"couv_publication_ang\" src=\"http:\/\/skol.ca\/wp-content\/uploads\/2013\/08\/couv_publication_ang.jpg\" width=\"295\" height=\"426\" srcset=\"https:\/\/skol.ca\/wp-content\/uploads\/2013\/08\/couv_publication_ang.jpg 1003w, https:\/\/skol.ca\/wp-content\/uploads\/2013\/08\/couv_publication_ang-166x240.jpg 166w, https:\/\/skol.ca\/wp-content\/uploads\/2013\/08\/couv_publication_ang-277x400.jpg 277w, https:\/\/skol.ca\/wp-content\/uploads\/2013\/08\/couv_publication_ang-540x778.jpg 540w\" sizes=\"auto, (max-width: 295px) 100vw, 295px\" \/><\/a><\/p>\n<p><b><em>Drone: The Automated Image<\/em><br \/>\nLe Mois de la Photo \u00e0 Montr\u00e9al et Kerber Verlag<br \/>\nMontreal, 2013<br \/>\n232 p. (162 colour ill., 35 b&amp;w ill.),\u00a0Hard cover, 16.8 x 24 cm<br \/>\nISBN 978-3-86678-803-9<br \/>\n<\/b><strong>$40.00<\/strong><br \/>\n<b><b>Graphic design:<\/b> <\/b>Dominique Mousseau<\/p>\n<p><b>Authors:<br \/>\n<\/b>Paul Wombell (ed.) \u2013<b> <\/b>Guest curator of Le Mois de la Photo \u00e0 Montr\u00e9al 2013, independent curator and writer on photography, London, U.K.<br \/>\nJordan Crandall\u00a0\u2013 Artist, theorist, performer, professor in the Visual Arts Department, University of California, San Diego<br \/>\nFrancine Dagenais \u2013 Author, theoretician, art historian, professor in the Visual Arts Department,<b> <\/b>Universit\u00e9 Laval, Qu\u00e9bec City<br \/>\nGeorge Legrady\u00a0 \u2013 Artist, professor in Media Arts &amp; Technology,<b> <\/b>University of California, Santa Barbara<br \/>\nMelissa Miles \u2013 Senior lecturer in the Faculty of Art, Design and Architecture, Monash University, Melbourne<br \/>\nJoanna Zylinska\u00a0\u2013 Artist, professor of new media and communications, Goldsmiths, University of London, U.K.<\/p>\n<p><i>Drone: The Automated Image<\/i> is the official publication of the <a href=\"http:\/\/www.moisdelaphoto.com\/theme.html\" target=\"_blank\">13<sup>th<\/sup> edition of Le Mois de la Photo \u00e0 Montr\u00e9al<\/a>. More than an exhibition catalogue, this reference book is lavishly illustrated with the works from the 25 exhibitions of the event, and includes essays by leading commentators on contemporary art and technology. For the first time, Le Mois de la Photo \u00e0 Montr\u00e9al co-produced its publication with Kerber Verlag, a renowned German publisher of high-quality art books.<\/p>\n<p>The camera is not a tool just waiting to be picked up and used, but a sophisticated instrument with its own laws, its own ways of working, and even its own life. With the incorporation of automatic devices \u2013 and, more recently, computers \u2013 the camera has its own agency. It can see what is invisible to the human eye; it can work continuously; it can travel to places that humans would find impossible or dangerous to visit; it can enter the human body and travel into outer space. It has been taken for granted that the photographic image is the most important aspect of the photographic process. However, the artists and writers in <i>Drone: The Automated Image<\/i> suggest something completely different. At the centre of their concerns is the changing relationship between the camera and the body and how the camera can function with little human involvement. As humans rely more and more on technology to extend vision, the camera takes on behaviours associated with the body. From CCTV to Google Street View, from remote cameras to robots, and from photo booths to drones, cameras are remaking the conditions of human existence.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>September 7 \u2013 October 5, 2013<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n<p> Publication for sale at Skol<\/p>\n","protected":false},"author":4,"featured_media":7278,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"footnotes":""},"categories":[18],"tags":[],"class_list":["post-7219","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programming","nom-raphael-dallaporta"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Publication of the 13th edition of Le Mois de la Photo \u00e0 Montr\u00e9al - 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