{"id":7642,"date":"2013-11-15T17:31:16","date_gmt":"2013-11-15T17:31:16","guid":{"rendered":"http:\/\/skol.ca\/?p=7642"},"modified":"2014-10-02T17:52:29","modified_gmt":"2014-10-02T17:52:29","slug":"a-3-day-performance-art-workshop-with-victoria-stanton","status":"publish","type":"post","link":"https:\/\/skol.ca\/en\/learning\/a-3-day-performance-art-workshop-with-victoria-stanton\/","title":{"rendered":"Between Intimacy and Architecture: subtle and relational performance in public place"},"content":{"rendered":"

\"stanton_promo\"<\/a>
\n<\/strong><\/p>\n

Performance Art workshop with Victoria Stanton<\/strong><\/p>\n

January 10-12, 2014, 10am-5:30pm
\nRegistration Deadline: January 6, 2013<\/p>\n

This workshop will be bilingual (English and French)<\/em><\/p>\n

To Register<\/strong>
\nApplication Deadline: January 6, 2013
\nMaximum number of participants: 10
\nWorkshop Fee: $250
\nA $50 non-refundable deposit will be required in order to reserve your spot. Payment can be made by cheque (made out to Centre des arts actuels Skol), or through PayPal.<\/p>\n

Workshop Description<\/strong>
\nHow do we listen to each other? How do we interact? How do we respond to the landscape around us? How do we engage with time and space? Cultivating attentive awareness, empathetic presence and peripheral vision, this workshop will explore the multiple and very personalized ways in which we experience and foster intimacy and connection \u2013 in ourselves, towards others, and in relation to place. We will explore how time and space are intimately connected and linked to how we develop a relationship to the space and people around us; how repetition of an action (over time) within a particular space necessarily creates familiarity with that space, within the various contexts in which we find ourselves to be. We will also explore how the ways in which a “non-productive” use of time, as carried out in public (place) activates a space. Finally, we will attempt to create contexts to explore ways of experiencing various kinds of \u201cin-betweens,\u201d (the spaces between thought and action, between actions, between each other, between ourselves and the spaces around us.)<\/p>\n

Key ideas:<\/span><\/p>\n

\u2022 Activating space \u2022 Holding space \u2022 Connecting to space \u2022 Connecting to others<\/p>\n

The importance in relational\/public practices to be able to also activate:<\/span><\/p>\n

\u2022 Empathetic \/ compassionate presence (1. towards yourself, 2. towards others)
\n\u2022 Non-judgment
\n\u2022 Attentive awareness\/ full observation
\n\u2022 Groundedness (what is your container)
\n\u2022 Faith, Trust<\/p>\n

Performance Philosophy<\/strong>
\nWhether working in participatory, durational, task-based or audio-visual performance, the constant thread in my work is an investigation into the ability (and the desire) to hold a space, to appropriate and disrupt the quotidian, to create spontaneous intimacy, to tread vulnerability. Investing a performative presence and consciousness within multiple spaces\/times, I continuously underscore the complex aspects of \u201ctransaction\u201d and the possibility for transformation.<\/p>\n

Much recent work explores the elusive \u201cin-between\u201d \u2013 that invisible, liminal space between myself and the audience (whether a group or just one person) or between myself and my object\/action\/location \u2013 whether appearing \u201con stage\u201d (in a black box, white cube, bar or loft) or \u201cout in the world\u201d (in public sites and \u201cnon-art\u201d contexts). The \u201cin-between\u201d is my inquiry into transitional space: as manifested on stage (has the performance ended?), as presented through relational exchange (is this a performance? Is this Art?), and as experienced out in the world through geopoetic meandering, and the conscious inhabiting of non-places found in the built environment.\u00a0 These subtle forms of testing the limits of vulnerability make up an overall practice (and multiple research processes) as an artist working in \u2013 and with \u2013 space and time.<\/p>\n","protected":false},"excerpt":{"rendered":"

January 10-12, 2014
\nWorkshop with Victoria Stanton<\/p>\n","protected":false},"author":1,"featured_media":7639,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"footnotes":""},"categories":[26,51,90],"tags":[],"class_list":["post-7642","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-learning","category-past","category-workshops","nom-victoria-stanton"],"acf":[],"yoast_head":"\nBetween Intimacy and Architecture: subtle and relational performance in public place - Centre des arts actuels SKOL<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/skol.ca\/en\/learning\/a-3-day-performance-art-workshop-with-victoria-stanton\/\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Between Intimacy and Architecture: subtle and relational performance in public place - 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