JEAN-FRANÇOIS PROST: CHANTIER

Jean-François Prost is an artist with an academic background in architecture. He has a keen interest in new urban research territories and he approaches art as an act of resistance, a state of mind, a medium for enunciating and exchanging ideas. His artistic actions, workshops and books address the issues of urban diversity, the rights to the city and active citizen participation through a (co)definition of the living environment. He is the founder of Adaptive Actions (AA), co-founder of L’atelier SYN- and is currently undertaking his doctoral studies on transformable architectures at l’UQAM. Since 1998, his individual and collaborative work has been shown at: 2006 Liverpool Biennial, at the Canadian Center for Architecture, Dare Dare, Madrid Abierto Art Biennial and Musagetes Art Foundation. After the publication of the Heteropolis and Stopping – Arrêts books, the AA Platform was the subject of a series of actions and exhibitions including those at the Montreal Art Biennial / MAC museum, MUAC (MX), Tokyo Wonder Site Gallery and at the Leonard & Bina Ellen Art Gallery. His upcoming projects comprise an exhibition at La Maison de la culture de Longueuil in collaboration with Agrégat and the curation of 2023 edition of Art Souterrain.

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As a multidisciplinary artist and independent curator, Martín Rodríguez’s work emerges from his Chicanx upbringing along the Arizona-Mexico border. His practice mixes performance with interventions and installations, investigating radio as a transformative medium. 

After a surgery to remove a brain tumor left him temporarily paralyzed Rodríguez searched for new meaning.  When radio signals trapped in his guitar began to sing, he seized on the phenomena and began exploring the cracks of the radio spectrum as a material for making art. Notably, his work has been presented by the Musée d’art contemporain Montréal (CA), MUAC (MX), Darling Foundry (CA), Spektrum (DE), as well as various festivals and performance venues across Canada, and the US.

Martin Dufrasne carries out projects as an author and as a curator. Co-founder of the TouTTouT artists’ workshops in Chicoutimi, Martin Dufrasne has been active in the community of artists’ centres in Quebec for more than twenty years. He has been a coordinator of artistic programming at DARE-DARE since 2010. Martin Dufrasne has a background in art history, environmental design and interdisciplinary art. His works (installation, photography, art action) question the notions of value, transformation and commitment. Since 1998, he has been working in parallel with his individual practice in duo with the artist Carl Bouchard and he collaborates punctually in projects initiated by fellow artists: Sylvie Cotton, Charles Guilbert, Daniel Danis, Jennifer Alleyn. His work has been presented in various groups and individual exhibitions, at biennials and performance festivals; in Quebec, in Canada and abroad.

Octavio Rüest is a self-taught and neuroatypical visual artist born in Montpellier (France) in 1987. He has lived and worked in Montreal since 2003. He has a profound experience of social inequalities. A slow immigration process forced him to work illegally in construction sites and factories. These five years mark a turning point whose impact is evident in his current work. Nevertheless, he continued to refine his drawing practice and diversified his interventions in the public space for over twenty years. He also studied decorative painting with a master of the Flemish school, Van Der Kelen. He currently presents his work in the form of prints, artist’s books and murals. In addition, his drawings are published in the magazine Liberté. While presently studying Printed Arts at Concordia University, he continues to produce public art and works as an art mediator with various local organizations.  (Traduction préliminaire de JFP)

Lynda Gaudreau is an artist, choreographer, curator and researcher interested in experimental and radical practices. Oftentimes minimal, her work engages with densities of time and space, and evolves in series. How material, as well as immaterial, forms relate to choreographic processes within the frameworks of images and their presentation in space is the focus of her current research. Lynda Gaudreau has worked internationally, notably in a close relationship with the Flemish cultural scene. The Théâtre de la Ville de Paris coproduced and presented her work over seven years. She collaborated with the Venice Biennial and has exhibited at the Architectural Association School of Architecture, London (AA). Her PhD in Art Practice is on asynchrony in arts. She was a postdoctoral researcher and staff at the Performing Arts Research Centre Tutke, Uniarts Helsinki in 2019–2021 and now a visiting researcher.

Lynda Gaudreau and I have known each other for over twenty years. She gave me my first real job aJer my undergrad. I worked with her dance company for a number of years, then we moved on but stayed in touch and worked together in other ways. Lynda has invited me to join her on ChanCer, and I’m glad she did.—Pierre Tanguay